Verge, 2016

Verge, 2016 Fermentation Fest Reedsburg, WI In Verge, benches from local hardwoods highlight the transition zone between two adjacent ecological communities; where field meets forest. The benches, designed by late Wisconsin ecologist Aldo Leopold, reflect the human position in this

Verge, 2016

Verge, 2016 Fermentation Fest Reedsburg, WI In Verge, benches from local hardwoods highlight the transition zone between two adjacent ecological communities; where field meets forest. The benches, designed by late Wisconsin ecologist Aldo Leopold, reflect the human position in this

Caledonia (Carbon Pine), 2016

Caledonia (Carbon Pine), 2016 Scottish Sculpture Workshop, Lumsden, Scotland The Earth harbors a finite amount of carbon that though going essentially unchanged, shifts function and locale within the larger carbon cycle whether very slowly or rapidly. Photosynthesis removes inorganic carbon from

Caledonia (Carbon Pine), 2016

Caledonia (Carbon Pine), 2016 Scottish Sculpture Workshop, Lumsden, Scotland The Earth harbors a finite amount of carbon that though going essentially unchanged, shifts function and locale within the larger carbon cycle whether very slowly or rapidly. Photosynthesis removes inorganic carbon from

Tooling Camp – Project Fielding, 2016

Tooling Camp – Project Fielding, 2016 In June 2016 Fielding held its inaugural Tooling Camp at the Experimental Station in the Woodlawn neighborhood of Chicago. Fielding is founded by Sara Black, Billy Dee, Amber Ginsburg and Donesha Thompson. We consider building

Tooling Camp – Project Fielding, 2016

Tooling Camp – Project Fielding, 2016 In June 2016 Fielding held its inaugural Tooling Camp at the Experimental Station in the Woodlawn neighborhood of Chicago. Fielding is founded by Sara Black, Billy Dee, Amber Ginsburg and Donesha Thompson. We consider building

Boundary Plants, 2015-16

Boundary Plants, 2015-16 Giovanni Aloi, “Why Look at Plants” Boundary Plants is a series of paintings interrogating the implications of possible anthropogenic effects on ecological systems, in this case concentrations of radiation born of industrial scale energy production. The paintings Fear

Boundary Plants, 2015-16

Boundary Plants, 2015-16 Giovanni Aloi, “Why Look at Plants” Boundary Plants is a series of paintings interrogating the implications of possible anthropogenic effects on ecological systems, in this case concentrations of radiation born of industrial scale energy production. The paintings Fear

Attention Feeder, 2016

The Attention Feeder, 2016 Sector 2337, Chicago, IL The Attention Feeder is a two hour collective exercise in prolonged attention.  We will begin by creating a shared vocabulary for use during a series of guided narratives on the interwoven relationship

Attention Feeder, 2016

The Attention Feeder, 2016 Sector 2337, Chicago, IL The Attention Feeder is a two hour collective exercise in prolonged attention.  We will begin by creating a shared vocabulary for use during a series of guided narratives on the interwoven relationship

Le Museé du Grand Dehors (The Museum of the Great Outdoors), ongoing

Le Museé du Grand Dehors (The Museum of the Great Outdoors), 2013- ongoing Keewanaw Peninsula, Michigan Sara Black, Amber Ginsburg and Charlie Vinz Le Museé du Grand Dehors (The Museum of the Great Outdoors) is a sculptural work that uses

Le Museé du Grand Dehors (The Museum of the Great Outdoors), ongoing

Le Museé du Grand Dehors (The Museum of the Great Outdoors), 2013- ongoing Keewanaw Peninsula, Michigan Sara Black, Amber Ginsburg and Charlie Vinz Le Museé du Grand Dehors (The Museum of the Great Outdoors) is a sculptural work that uses

Knowledge Lab, 2015

Knowledge Lab, 2015 School of the Art Institute Chicago, IL In the spring term of 2015 at the School of the Art Institute of Chicago, I facilitated and instructed a class called Knowledge Lab: Entanglements with TA Noel Fetting-Smith. The

Knowledge Lab, 2015

Knowledge Lab, 2015 School of the Art Institute Chicago, IL In the spring term of 2015 at the School of the Art Institute of Chicago, I facilitated and instructed a class called Knowledge Lab: Entanglements with TA Noel Fetting-Smith. The

19 Admirals Way, 2014-15

19 Admirals Way, 2014-15 [Design Build Workshop Leader] Cantebury Museum, Christchurch, New Zealand https://19admiralsway.wordpress.com The Whole House Reuse (WHR) project is organized by Rekindle, a New Zealand building waste reuse initiative established after the 2011 Christchurch earthquake. Project organizers gained access

19 Admirals Way, 2014-15

19 Admirals Way, 2014-15 [Design Build Workshop Leader] Cantebury Museum, Christchurch, New Zealand https://19admiralsway.wordpress.com The Whole House Reuse (WHR) project is organized by Rekindle, a New Zealand building waste reuse initiative established after the 2011 Christchurch earthquake. Project organizers gained access

Drift, 2014

Drift, 2014 Reedsburg, Wisconsin Wormfarm Institute’s Fermentation Fest Drift is both an autonomous intervention in the landscape and a site for exchange with residents and visitors. This floating sculptural form advances to shore on weekends where the artists will serve spring

Drift, 2014

Drift, 2014 Reedsburg, Wisconsin Wormfarm Institute’s Fermentation Fest Drift is both an autonomous intervention in the landscape and a site for exchange with residents and visitors. This floating sculptural form advances to shore on weekends where the artists will serve spring

Attention Feeder, 2014

The Attention Feeder, 2014 [Workshop Leader] ACRE residency, Steuben, WI The Attention Lab, a two-session workshop that took place at ACRE residency in the summer of 2014, gathered participants in the pursuit of prolonged attention and understanding of the Anthropocene. To help

Attention Feeder, 2014

The Attention Feeder, 2014 [Workshop Leader] ACRE residency, Steuben, WI The Attention Lab, a two-session workshop that took place at ACRE residency in the summer of 2014, gathered participants in the pursuit of prolonged attention and understanding of the Anthropocene. To help